By Lawrence Pitilli
In his examine of this ignored interval, Pitilli uncovers a wealthy musical culture practiced principally via amateurs in a virtually mythologized city the US. even supposing almost all these practitioners have been musically untrained, their loss of formal song schooling and monetary aid neither diluted their ardour for making a song or their quest for attainable repute and fortune. during this engagingly written and celebratory paintings, Pitilli extra demonstrates that doo-wop acappella used to be heavily tied to broader concerns, together with the self-invented person, gender roles, ethnicity, race, and class.
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Additional resources for Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies
Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies by Lawrence Pitilli